During my gap year while I was unable to attend Georgia Southern University in person, I knew I still wanted to continue learning and gaining practical experience in interior design. I made a post in several Charleston Facebook groups and reached out to local designers, eventually connecting with a new designer in Mount Pleasant. She had just started her business, Poppy + Shae Design Co., and had taken on a major renovation project on Sullivan's Island. From our first meeting, we worked well together, and I was fortunate to have the opportunity to assist her on this large-scale historic renovation. The experience provided invaluable, hands-on insight that greatly expanded my practical understanding of the field.

On this project, I took on a wide range of responsibilities so I could be as hands-on as possible and learn from every stage of the process. I worked closely with the general contractor and various subcontractors—including tile, flooring, cabinetry, finishes, and lighting teams. I monitored deliveries, created selection sheets, and helped assemble the full-house FF&E binder that remained on site. I was also involved in many of the design selections, from paint colors and tile choices for all six and a half bathrooms to lighting throughout the 9,000-square-foot residence. In addition, I collaborated with the general contractor's assistant to develop a comprehensive project timeline and detailed checklists of completed and pending tasks. Together, we documented room-by-room details such as paint names and sheens, material locations, and finish schedules.

This project took over a year to complete, and I was able to be a part of nine months of the work that went into transforming the property. Throughout this experience, I gained knowledge in organizational systems, subcontractor coordination, site plans and the overall process involved in designing a 9,000-square-foot residence. Since the home was a historic property built in 1902, I also encountered the challenges of permitting and the unexpected delays that arise when replacing floors and walls in a century-old structure. This experience was incredibly valuable, and I'm excited to carry these lessons into future projects.

My favorite part of the design process is understanding how a client wants their space to make them feel, and I believe the mood board is at the heart of that. A strong design should evoke a specific emotion, and if I were to jump straight into material selections, the risk of misalignment becomes much greater. In my free time, I love exploring creativity through personal design projects, and creating mood boards has become my favorite outlet. It allows me to experiment, express ideas, and refine the emotional direction of a space before any final decisions are made.

Understanding what makes a client feel a certain way in a space is what drives my design choices and informs the selections that will best support that emotion. I stay up-to-date on current design trends, but I also recognize that not every client wants what's popular. Because of this, I love creating mood boards that reflect both trending styles and more unique or timeless aesthetics—giving clients options that feel personal, intentional, and true to their individual taste.

I wanted to highlight some of the personal experiences that have shaped my perspective since choosing to major in Interior Architecture and Design, as well as Recreation and Tourism Management. I've been fortunate to attend industry events and conferences centered on education, innovation, and emerging practices. I've also had the opportunity to travel internationally, which has deepened my appreciation for architecture, authentic cultural character, and sustainable tourism. These experiences continue to influence my design approach and the values I bring to every project.

Studio 1 - Fall 2024                                                                                                   Project Location: Cody, Wyoming

Project Type: Residential                                                                                       Individual Project

This project emphasized the importance of intentional space planning and functional design within a home. Working within a strict 600-square-foot limit, the program required a living area, kitchen, office space, laundry room, bedroom with closet, bathroom, and a porch. Using bubble diagrams and an adjacency matrix, I hand-drafted a complete set of construction documents that maximized every inch of the residence and ensured an efficient, well-balanced layout.

This project required strong technical skills in hand drafting and construction documentation, as well as a thorough understanding of human factors in space planning, sustainable design principles aligned with LEED certification, and the selection of finishes and furnishings appropriate for the region. Designing a residence in Cody, Wyoming meant prioritizing a concept that complemented the landscape rather than detracting from its natural beauty, and this respect for the environment remained central to my design approach.

From the start of this project, I wanted to emphasize efficient use of space while still creating an environment suited for hosting and evoking a sense of rich comfort. To enhance the home's perceived size, I designed a three-quarter wraparound porch, adding ample outdoor seating and enabling seamless indoor–outdoor living—even with the residence's small footprint. The high ceilings further expand the sense of space while providing opportunities for additional storage in key areas such as the kitchen. Throughout the design process, storage and functionality remained top priorities.

For material selection, durability was a top priority...especially given the project's location and the harsh winters it would endure. I chose a metal roof for its strength, accessibility, and low maintenance requirements, ensuring long-term reliability for the homeowner. Steel framing was selected for its exceptional durability and longevity, despite the potential for slightly higher upfront costs depending on inflation. For the exterior siding, I selected locally sourced wood board and batten, a choice that is both beautiful and resilient.

Inside the home, several key features were chosen to enhance efficiency and comfort. Dishwasher drawers were incorporated to better suit a home intended for a single occupant or couple, providing practical use without overwhelming the compact kitchen. The selected range combines a double oven with an air fryer, offering versatile cooking options while eliminating the need for multiple small appliances. Warm tones and subtle character details were used throughout the interior to give the new build a timeless feel—one that blends seamlessly into the surrounding landscape.

Studio 2 - Spring 2025                                                                                            Project Location: Beaufort, South Carolina

Project Type: Residential                                                                                      Individual Project

The purpose of this project was to renovate a historic mid-20th-century Sears kit house while preserving the home's original structural integrity. The goal was to create a more functional space without compromising its character and history. Program requirements included a kitchen, living area, dining room, laundry room, two bedrooms, and two bathrooms. Using block diagrams, I developed an efficient floor plan designed to support a growing family while honoring the charm of the original residence. I also curated complete FF&E selections for each space to enhance functionality, comfort, and aesthetic cohesion throughout the home. Choosing a location within a historic area was imperative to this project, which is why I selected Beaufort, South Carolina.

In this project I was given a choose between using an AutoCAD software or hand-drafting the plans which is what I chose to do to further develop my skills in scaling and drafting. With this additional practice my skills in hand drafting elevations improved as well as the cleanliness of my floor and furniture plans.

The floor plan was designed with both a small family and the ability to host in mind. The second floor proved to be the most challenging area to develop, as I wanted to ensure the child had space to grow and the parents had a comfortable area to relax and unwind. One of my favorite spaces in this project is the upstairs laundry room. Outfitted with cabinetry, a sink, and a stackable washer and dryer, it provides ample storage and allows for washing and folding in one convenient location. The tall cabinet also offers dedicated space for household essentials, such as a vacuum and ironing board, that often lack a proper home.

Considering human factors is what makes design functional and meaningful in every aspect of life. In a small-space project like this, my focus was on creating a balance between ample storage and comfortable living areas for both daily use and entertaining. I also prioritized an efficient kitchen layout by ensuring a proper work triangle and making essential items easily accessible while cooking. The living area is arranged to support multiple conversation zones and to maintain smooth pathways to the kitchen and dining room.

Studio 2 - Spring 2025                                                                                            Project Location: New Smyrna Beach, Florida

Project Type: Residential                                                                                      Individual Project

This project was designed with accessibility at the forefront of every decision. The concept centered on creating a duplex for a multi-generational family. Suite B houses the Millers—a young couple with their five-year-old daughter—while Suite A is home to the Johnsons, an older couple with a husband who uses a wheelchair. During space planning, I ensured that every area within the Johnsons' residence was fully accessible to him, and because the families live side by side, I also made the Miller's suite as accessible as possible to support easy movement between the two homes. The residence is located in New Smyrna Beach, Florida, and the program requirements specified that each suite include a living room, kitchen, dining room, pantry, laundry area, storage, and a primary bedroom for each couple. Suite A also features an additional bedroom and bathroom for the Millers' daughter.

This project was primarily developed in AutoCAD and finalized through Photoshop renderings. It centered on accessible design and the core concept of aging in place. The space was planned with ergonomics in mind, supporting comfortable living, growth, and entertaining within a highly functional layout. This project also pushed me outside my comfort zone, as it was set in a coastal location and required designing with another person's vision and needs at the forefront.

Programming was the most critical phase of this project, as I needed to ensure that walkways, spaces, and room dimensions supported accessibility in a truly functional way. Often, when we think of accessibility, we picture what's commonly found in commercial buildings—but those standards are not always practical for individuals with physical limitations in a residential setting. Door weights, pull-in areas, and turning radii may meet code, yet still fall short of providing real usability. Because of this, I conducted extensive research to ensure the residence would be genuinely accessible and tailored to the everyday needs of its occupants.

The final deliverables for this project focused on detailed space planning and thoughtful material and fixture selections that would best support Mr. Johnson's accessibility needs in Suite A. This was my first project completed in AutoCAD, and I found the software both intuitive and enjoyable to learn. One key feature I incorporated was the butler's pantry in Suite A. This layout significantly improved accessibility, allowing Mr. Johnson to pass through with ease or retrieve items from the pantry without obstruction. The recessed area by the window also provided the proper turning radius for him to enter and exit through the same doorway comfortably. Additionally, I selected barn doors for several locations throughout Suite A, as my research showed they are ideal for wheelchair users—allowing the door to be pushed open and closed without requiring excessive reach or maneuvering.

CAD 2 - Fall 2025                                                                                                       Project Location: Ashville, North Carolina

Project Type: Retail Commercial                                                                          Individual Project

This project focuses on retail design within an existing building shell, allowing for full creative freedom in developing the concept, layout, and overall spatial experience. The program requirements included designing a complete retail environment with product displays, employee restrooms and a break room, management offices, storage areas, seating throughout, public restrooms, and fitting rooms. I created a branded concept for a western-inspired home and clothing store, enhanced with a café space where customers can sit, sip, and enjoy as they explore the shop. The store features departments for seasonal décor, rugs, bedding, artwork, a wide selection of cowboy boots, jeans, T-shirts, dresses, flannels, and jewelry. Incorporating an accessible fitting room and generous walkways was essential, as I wanted the store to feel welcoming and navigable for all customers.

This was my first project completed in Revit, and I found the software incredibly helpful—especially since hand-drawing is not my strongest skill. Revit allowed me to clearly translate my ideas into the design and showcase the 3D modeling, while still giving me space to continue practicing hand-drafting on other projects. A major focus of this design was sustainability, with an emphasis on sourcing goods from local vendors to support the surrounding community. I also prioritized universal design to ensure the space would be comfortable and accessible for all customers. This store is intentionally not targeted toward a specific demographic; instead, I imagined a diverse clientele—men and women, young and old—anyone who appreciates a western aesthetic and is looking for a place that feels welcoming and inclusive.

The initial concept focused on planning the space and incorporating both existing furniture and custom model pieces. Because this is a western-inspired home and clothing store, I felt that extensive shelving was essential—especially since I wanted the boot section to serve as a primary focal point. All shelving was modeled in Revit and designed to function as floating displays throughout the store. I also created the custom signage and the coffee-bar checkout counter in Revit. These drawings represent the early conceptual phase of the project, which evolved significantly over the following weeks.

These images were rendered using the Lumion LiveSync add-on in Revit. The lighting and accent accessories bring the space to life, highlighting the warm wood tones and subtle western touches throughout. One of my favorite elements is the playful signage in the boot section—each sign features a unique quote that's sure to make clients smile. I drew this inspiration from a seafood restaurant in Downtown Raleigh, where the restroom signs always spark conversation. I wanted to recreate that same lighthearted, memorable experience for guests here.

Studio 3 - Fall 2025                                                                                                     Project Location: Glasgow, Scotland

Project Type: Hospitality Commercial                                                                  Individual Project

This project is a submission for the Hospitality Industry Network (NEWH) Green Voice Design Competition. Centered on adaptive reuse and healthy materials, the challenge requires transforming an existing commercial building into a functional hotel. Material selections emphasize sustainability, prioritizing LEED-certified products and environmentally responsible finishes. Innovation and sustainability are key drivers of the design, with a strong focus on energy management, water conservation, and indoor air quality. As designers, we aim to contribute to ecotourism—creating spaces that positively impact the communities we serve rather than harm them. The required program includes a lobby/check-in area and two guest room designs. I expanded the program to also feature a fitness center, gallery, indoor pool, and garden space.

Throughout the progression from schematic design to the design development phase, I utilized a range of skills—including bubble diagrams, block diagrams, adjacency matrix's, hand sketching, and Revit—to bring the final concept to life. I selected an old industrial building for this project because its existing character adds depth to the design and supports the goals of adaptive reuse. This location also has the potential to broaden tourism beyond the city center of Glasgow, offering travelers and business visitors a retreat from the urban core while allowing them to experience an authentic part of the city that isn't shaped solely by tourism. I also want to ensure that this hotel is accessible to all people, more than the typical ADA requirements to ensure that all travelers feel at home within the space. 

From the initial concept, I knew I wanted to incorporate abundant natural and living elements into the design, along with additional full-glass walls to complement the building's existing glass façade. These features were essential in helping the space feel connected to the natural world despite its industrial surroundings. I envisioned the lobby and community areas being filled with daylight, allowing guests to enjoy a bright, uplifting atmosphere during the day and expansive views of the city at night. As the design progresses, I plan to introduce softer, low-level lighting and further develop the interiors to evoke the cozy warmth of a wooded cabin—creating a sense of connection to nature even within the heart of the industrial district.

This selection showcases my graphic concepts outside of interior design. I genuinely enjoy creating, and having a creative outlet to express my ideas is something I consider essential in my life. Pursuing a double major in Recreation and Tourism Management has also opened the door to new design perspectives and allowed me to connect with individuals in adjacent fields through a different, yet complementary, path.

Another project that was especially meaningful to me—though not directly tied to interior design—was curating a comprehensive tourism plan for Banff National Park. I feel this project still connects to design through its research-driven approach and the opportunity it provided to explore, analyze, and be creative. As someone interested in hospitality design, I believe understanding the places you design for is just as essential to the guest experience as the physical design itself.

Lastly, I want to highlight a research project I completed with my group examining the profitability of the cruise line industry. Because cruise lines operate as a unique world of their own, truly understanding their design requires understanding the reasons behind it. This project allowed me to explore the industry more deeply and gain insight into why cruise ships are designed the way they are.